crime & the city solution: american twilight
"Pump Me Up: D.C. Subculture of the 1980s is the first exhibition to explore the thriving underground of Washington, D.C., during the 1980s, giving visual form to the raucous energy of graffiti, Go-Go music, and a world-renowned punk and hardcore scene.
The exhibition explores the visual culture of the “other D.C.,” demonstrating its place in the history of street art as well as that of America’s capital city. In the midst of notorious problems with drugs and corruption, D.C. gave birth to an infectious visual culture captured in the exhibition through posters, graffiti, graphic art, archival photographs, and ephemera. Pump Me Up tells a local history from a local point of view, while providing a framework for the contemporary surge of interest in street art and underground graphics.”
“Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.” ― John Berger”
The City of Dreadful Night
The City is of Night; perchance of Death,
But certainly of Night; for never there
Can come the lucid morning’s fragrant breath
After the dewy dawning’s cold grey air;
The moon and stars may shine with scorn or pity;
The sun has never visited that city,
For it dissolveth in the daylight fair.
Dissolveth like a dream of night away;
Though present in distempered gloom of thought
And deadly weariness of heart all day.
But when a dream night after night is brought
Throughout a week, and such weeks few or many
Recur each year for several years, can any
Discern that dream from real life in aught?
For life is but a dream whose shapes return,
Some frequently, some seldom, some by night
And some by day, some night and day: we learn,
The while all change and many vanish quite,
In their recurrence with recurrent changes
A certain seeming order; where this ranges
We count things real; such is memory’s might.
A river girds the city west and south,
The main north channel of a broad lagoon,
Regurging with the salt tides from the mouth;
Waste marshes shine and glister to the moon
For leagues, then moorland black, then stony ridges;
Great piers and causeways, many noble bridges,
Connect the town and islet suburbs strewn.
Upon an easy slope it lies at large,
And scarcely overlaps the long curved crest
Which swells out two leagues from the river marge.
A trackless wilderness rolls north and west,
Savannahs, savage woods, enormous mountains,
Bleak uplands, black ravines with torrent fountains;
And eastward rolls the shipless sea’s unrest.
The city is not ruinous, although
Great ruins of an unremembered past,
With others of a few short years ago
More sad, are found within its precincts vast.
The street-lamps always burn; but scarce a casement
In house or palace front from roof to basement
Doth glow or gleam athwart the mirk air cast.
The street-lamps burn amidst the baleful glooms,
Amidst the soundless solitudes immense
Of rangèd mansions dark and still as tombs.
The silence which benumbs or strains the sense
Fulfils with awe the soul’s despair unweeping:
Myriads of habitants are ever sleeping,
Or dead, or fled from nameless pestilence!
Yet as in some necropolis you find
Perchance one mourner to a thousand dead,
So there; worn faces that look deaf and blind
Like tragic masks of stone. With weary tread,
Each wrapt in his own doom, they wander, wander,
Or sit foredone and desolately ponder
Through sleepless hours with heavy drooping head.
Mature men chiefly, few in age or youth,
A woman rarely, now and then a child:
A child! If here the heart turns sick with ruth
To see a little one from birth defiled,
Or lame or blind, as preordained to languish
Through youthless life, think how it bleeds with anguish
To meet one erring in that homeless wild.
They often murmur to themselves, they speak
To one another seldom, for their woe
Broods maddening inwardly and scorns to wreak
Itself abroad; and if at whiles it grow
To frenzy which must rave, none heeds the clamour,
Unless there waits some victim of like glamour,
To rave in turn, who lends attentive show.
The City is of Night, but not of Sleep;
There sweet sleep is not for the weary brain;
The pitiless hours like years and ages creep,
A night seems termless hell. This dreadful strain
Of thought and consciousness which never ceases,
Or which some moments’ stupor but increases,
This, worse than woe, makes wretches there insane.
They leave all hope behind who enter there:
One certitude while sane they cannot leave,
One anodyne for torture and despair;
The certitude of Death, which no reprieve
Can put off long; and which, divinely tender,
But waits the outstretched hand to promptly render
That draught whose slumber nothing can bereave.
Darkened Cities, by Thierry Cohen.
In Thierry Cohen’s series, Darkened Cities, we think we see bright night skies over cities. Very traditional, very poetical. Actually, what we’re seeing is the opposite. These skies are an indictment and a lament. These are the skies that we don’t see. They are also extremely clever photography, in which highly skilled execution provides rich layers of meaning.
The U.S. Pavilion at the Venice Architecture Biennale features an interactive installation highlighting 124 ‘urban interventions.’
Cuando la polución y contaminación en nuestras ciudades alcanza cierto grado en el que la naturaleza no es capaz de absorber más que lo que produce, el ser humano afecta a la salud y a la vida misma de sus habitantes. Incluso a sus prácticas cotidianas o su movilidad. Ese punto de ruptura del equilibro denota una mala gestión urbana y requiere un arduo trabajo político que se puede prolongar durante varios años y una fuerte educación ciudadana para así recuperarse de la situación.
Para llamar la atención de los gobiernos sobre este hecho, The Economist publicó hace un par de semanas una lista con las 20 ciudades con el aire más contaminado del mundo. Ahí aparecen ciudades de todos los continentes, lo que demuestra la globalización contaminada de la problemática. Europa con siete, y Asia con cinco, son las zonas con mayor cantidad de ciudades en la lista. El continente asiático, el área con el mayor crecimiento urbano de los últimos años, además abarca los primeros puestos con India y China. México aparece en el tercer sitio. Mexicali es la ciudad más contaminada, al norte del país.